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Behind the Scenes Featurette from the movie Indiana Jones and the Temple of Doom (1984).<br/><br/>Indiana Jones and the Temple of Doom is a 1984 American action-adventure film directed by Steven Spielberg from a script by Willard Huyck and Gloria Katz, based on a story by George Lucas. It is the second installment in the Indiana Jones film series and a prequel to Raiders of the Lost Ark. The film features Harrison Ford who reprises his role as the title character. Kate Capshaw, Amrish Puri, Roshan Seth, Philip Stone and Ke Huy Quan, in his film debut, star in supporting roles. In the film, after arriving in British India, Indiana Jones is asked by desperate villagers to find a mystical stone and rescue their children from a Thuggee cult practising child slavery, black magic, and ritual human sacrifice in honour of the goddess Kali.<br/><br/>Not wishing to feature the Nazis as the villains again, executive producer and story writer George Lucas decided to regard this film as a prequel. Three plot devices were rejected before Lucas wrote a film treatment that resembled the final storyline. As Lawrence Kasdan, Lucas's collaborator on Raiders of the Lost Ark turned down the offer to write the script, Willard Huyck and Gloria Katz, who had previously worked with Lucas on American Graffiti (1973), were hired as his replacements.<br/><br/>Indiana Jones and the Temple of Doom was released on May 23, 1984, to financial success, grossing $333.1 million worldwide, making it the highest-grossing film of 1984. Initial critical reviews were mixed, criticism was aimed at its strong violence, as well as some of its darker story elements. However, critical opinion has improved since 1984, citing the film's intensity and imagination. In response to some of the more violent sequences in the film, and with similar complaints about the Spielberg-produced Gremlins (which was released two weeks later), Spielberg suggested that the Motion Picture Association of America (MPAA) alter its rating system, which it did within two months of the film's release, creating a new PG-13 rating. It was nominated for the Academy Award for Best Original Score and won the Academy Award for Best Visual Effects. A sequel, Indiana Jones and the Last Crusade followed in 1989.<br/>Transcript
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In film editing, transitions between scenes are sometimes overlooked opportunities to help tell your story. While most scene transitions use only a simple cut, there are many more creative and cinematic transitions filmmakers can use. In this video, we’ll review the various video transitions and film transitions, their particular qualities, and what they add to visual storytelling. <br/><br/>One of the most common film transitions is the fade in and fade out. Typically, these are used to open and close a film but they can also be used in between scenes to create a more definitive separation. Besides the cut, one of the most frequently used transitions is the dissolve (or cross dissolve). This is when one scene gradually fades out while the next scene gradually fades in. The dissolve is just one of the techniques used to create seamless transitions but also to suggest a passing of time or to switch to a flashback or dream.<br/><br/>The match cut is a film transition purely meant to create a connection between one shot to the next or one scene to the next. That connection can be made with shapes, colors, movement, or even sound. The match cut is an instant scene transition but a match dissolve accomplishes both the “connection” of a match cut with the “smoothness” of a cross dissolve. The iris transition is an old-fashioned technique that is rarely used unless you’re going for a nostalgic or retro style.<br/><br/>Similarly, the wipe transition is a bit archaic in terms of film and video transitions. George Lucas built the wipe transition into the visual language of Star Wars as a nod to his two biggest inspirations for the Skywalker Saga — the Flash Gordon serials and Kurosawa’s Hidden Fortress. A modern approach to these same cinematic transitions is called a passing transition (or pass-by effect). This involves using movement in the frame to wipe seamlessly into the next scene and it’s one of director Edgar Wright’s favorite film editing transitions.<br/><br/>Next, there’s the whip pan, when the camera pans quickly to create a blurry image (where a cut can be hidden) leading into another whip pan to start the next scene. These types of film transitions not only create smooth transitions, they help sustain the momentum from one scene to the next. A smash cut is perhaps the most abrupt film transition because it is built on contrast between loud and quiet, or active and still, or sometimes both. <br/><br/>Finally, there’s the J cut and L cut, two ways to use a split between audio and video for a variety of effects. For example, an L cut is often used when a character begins narrating a flashback. And a J cut is commonly used to build anticipation for the following scene. These are just the most common video transitions and new transition effects are created all the time. Your job as filmmakers is to find the right scene transitions that help tell your story.
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But de Lucas - Team 1 from luca vittozzi
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Aired (May 30, 2024): Habang bumabawi ng lakas si Grace (Marian Rivera) mula sa araw ay nahuli siya ni Venus (Max Collins). #GMANetwork #GMADrama #Kapuso<br/><br/>Watch the latest episodes of 'My Guardian Alien’ weekdays, 8:50 PM on GMA Primetime, starring Marian Rivera, Gabby Concepcion, Raphael Landicho, Max Collins, Gabby Eigenmann, Kiray Celis, Arnold Reyes, Caitlyn Stave, Josh Ford, Sean Lucas, Christian Antolin, Marissa Delgado.
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The Force was not strong with these George Lucas Star Wars ideas and plans...
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But de Luca G - Team A from luca vittozzi
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But de LUCAS- Team 2 from luca vittozzi
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But de lucas - Team 2 from luca vittozzi
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